Tuesday 19 March 2019

Figs and George Michael


The light in the hall was harsh. It showed up the blue veins in my hands, which unsettled me, so I switched it off and clip-clopped through to the gentle glow of my bedroom. I’d made my bed that morning with snowy white sheets. Virginal – too virginal, I’d felt – so I’d unravelled my pink chiffon shawl speckled with embroidered figs and thrown it over the bottom half of the duvet.
            ‘Oh yeah, the fig thing. Nice. See, the thing about D.H. Lawrence—’ I’d imagined Seb saying, before I silenced him. Or – maybe – if he’d been nice, if he’d been actually quite funny, if he’d been the one, he’d have held the scarf up to the light mid-snog and said in his best Alan Partridge,
            ‘Figs. Is that a… uhh… euphemism?’
I’d left all the lights off except the pebble lamp I kept on my nightstand, which omitted a soft rosy luminescence. Everything else – laptop cables, stray knickers, magazines, had been shoved under the bed; so certain had I been that I would be sharing my room that night, so keen was I to turn it into one giant, pulsating female appendage. (Yes, Alan. It was a euphemism. Yes.)
I caught a glimpse of myself in my mirror. There was a feral, banshee look about me; my eyes were dark, a livid red blossom was climbing from my cleavage up my neck. I walked closer to my reflection, put my hands on my breasts, held them tight. With my long pinkie nail I drew a dark red line across my throat, dragging harder at the last moment so that tiny beads of blood came to the surface of my skin. I slapped my throat once, twice, and looked down at the fine trail of blood on my palm. Not enough. It’s never enough.
I snaked my hand down under the fine material of my skirt, formed a fist with my fingers and pressed it hard against my clitoris. I could tell immediately from its bad-tempered response that I would not be blessed with an orgasm tonight. The novel mystery of someone else’s touch, perhaps, could have coaxed one out. But not my own. Not now. I clenched my teeth and let out a low, animal growl.
‘There are two of her,’ I remember my mum saying to a nurse. There was a frightened look in her eye. ‘She’s… she changes.’
If I really was a banshee, I remember thinking, I’d transform myself into a bat-girl and smash out of my bedroom window, shrouded in a cloud of undulating black smoke. Up, up I’d fly, over the Sainsbury’s Local and through the city night, leaving a trail of shadowy sexual mischief in my wake. George Michael would wake from his slumber and provide a luxuriously forbidding, glittering version of ‘Fastlove’ just for me: my personal soundtrack. He’d know that my bat-self would perceive in full the profound loneliness of that song – not the upbeat disco number others took it for, but dark, so very dark.
In the absence of security, I made my way into the night.
(‘How could you be lonely if you were George Michael?’ one of his fans had asked in a documentary. ‘You’d be with George Michael all the time.’)
Eventually the haze of smoke around me would clear. My wings would carry me back through my bedroom window and I would curl up in my virginal white sheets, spent and peaceful – human again, and as whole as I could possibly be.

I was just sane enough in that moment to accept that supernatural banshee antics were not a workable Plan A. My most desired activities thus eliminated, I knew I had to find a way back to functional, sensible me that did not involve two bottles of red wine and nicking an artery. 


Thursday 7 March 2019

Playing with dialogue for novel


‘How was Jo or whatever his name is.’
Bronwen draws on her cigarette and exhales slowly, eyes dark. When she speaks it’s in the resigned, dull monotone that spells imminent booze and recklessness.  
‘He was boring. Very, very fucking boring. He knew he was boring, so in the middle of the night he pretended to sleep-talk. So that he would seem less boring. This is a thing people do now – I’ve seen them doing it on Big Brother.’
She draws again on her cig, eyes foggy.
‘Only fairly recent Big Brothers, though. See, even in 2010, when people were cunts, they weren’t such cunts as they are now. Have you noticed that?’
I’m about to ask her how she knows when it’s fake, but I know exactly. You just do. Well, people like Bron and me do. This is our magic. It is also the thing that will probably kill us.  
Without taking her eyes off the telly, Bron slithers her hand out from beneath her nest of blankets and grapples about on the sideboard for her bottle of wine.
‘Was he nice, though?’
‘No.’
‘Oh. What are you watching?’ I try to keep my voice light and cheery in the hope that hers will miraculously follow suit.
Celebs Go Dating.’
‘Doesn’t that have sleep-talking cunts on it?’
‘No, s’good. Can you get me a thing of seafood from the fridge?’
‘What do you mean seafood?’
‘It's in the fridge.’
Uneasy, I shuffle in my slippers to the fridge. In it there are ten packets of Waitrose seafood antipasti, neatly piled on top of one another. There is also a carton of Alvalle Gazpacho and three bottles of James White organic carrot juice. And nothing else. 
‘Where’s the Waitrose?’
‘Dornoch.’
‘How did you get to Dornoch?’
‘I got the bus. That was my activity for today. Anyway, no he wasn’t nice. He kept trying to fuck me when he’d already come, and he also didn’t put his boxers back on between sessions, which I hate. So he was lounging about in my bed, flopping about like a cherub in one of those paintings, with his small, out-of-proportion arse. Then he tried to fuck me again with his flaccid Botticelli cock and I got fed up and asked him if he understood basic anatomy and he went all quiet and then he thought about it a bit more and was downright fucking raging and said to me, what the fuck were you thinking calling your son Marius—'
Marius comes thudding down the stairs, and for a second it’s as if the whole thing is a sitcom, except it isn’t, it’s our lives.
Mummy, were you talking about activities? Because our activity today was potato painting and Jeremy said—’
‘Which teacher did potato painting with you and called it potato painting’ says Browen, seething.
‘Miss Hynes.’
‘Is Miss Hynes the one who gave you the idea to call your grandpa Pap-Pap?’
‘Bron, don’t.’
Maris’s little tummy inflates and deflates as he breathes quickly, keeping up with the change of tack.
‘Yes, Miss Hynes said grandpa was Pap-Pap because it’s a song: WHEN YOU BOYS AND GIRLIES PLAY SNAP-SNAP, REMEMBER TO ASK YOUR OLD PAP-PAP. FOR OLD PAP-PAP WON’T BE HERE LONG, SO LET HIM PLAY AND SING ALONG.’
Bron stares at me, enraged.
‘What’s snap-snap?’
‘Bronwen, don’t.’
‘I told mum, the last thing I TOLD HER BEFORE SHE DIED… is that he’s not going to a primary school with five other ffffff-ing children in it—’
‘WHEN YOU BOYS AND GIRLIES PLAY RAM-BAM, REMEMBER TO ASK YOUR OLD GRAM-GRAM. FOR OLD GRAM-GRAM LIKES… ehhh… LIKES PLAYING TOO, AND SOON SHE WON’T BE HERE FOR YOU.’
Bron sinks back into her armchair and pulls the blankets tightly around her as Marius pulls his t-shirt up, swells his tummy out as far as it will go, and beams at me.
‘And guess what?’
I kneel, twisting my arms around his sticky neck.
'Miss Hynes made those songs up herself!'


 

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